Nevertheless, Bernstein continued to consider further possibilities for the work, at one point even proposing to bring the opera to Broadway, with a much smaller orchestra. This version was finalized for performances at the Vienna Staatsoper in 1986, and Bernstein subsequently recorded it for Deutsche Grammophon.
The dramatic structure of the work was significantly altered, and a substantial amount of A Quiet Place material was cut to accommodate the entirety of Trouble in Tahiti, now incorporated into the later opera as an extended flashback. “The Authors were dissatisfied with this first version, and the opera was revised, becoming a full-length, three act opera.
At its premiere at Houston Grand Opera, in 1983, A Quiet Place was presented, on a double bill with Trouble in Tahiti, as a single 110-minute act in four scenes, using a very large orchestra, including synthesizer and electric guitar. The story of a fractured family struggling to come to grips with its past, the opera was conceived with librettist Stephen Wadsworth as a sequel to Bernstein’s jazzy 1952 one-act opera Trouble in Tahiti. Garth Edwin Sunderland, whose adaptation of the libretto and orchestration is performed in Paris, describes how “ A Quiet Place was Leonard Bernstein’s final work for the stage. > Visit the Opéra National de Paris website A Quiet Place will be broadcast by France Musique in the Samedi à l'Opéra series. The run of 11 performances opens at the Palais Garnier on 9 March and is preceded by a preview performance on 7 March for audiences under the age of 28. The cast in Paris includes Russell Braun as the recently bereaved Sam, Patricia Petibon and Gordon Bintner as his estranged adult children Dede and Junior, and Frédéric Antoun as François, Dede’s husband and Junior’s lover. The opera examines a psychologically fragile American family, trapped in its painful memories as it gathers after the death of a loved one, trying to recapture shared moments of intimacy and reaching for the hope of reconciliation. The new Opéra National de Paris production by Polish director Krzysztof Warlikowski employs the 2013 adaptation by Garth Edwin Sunderland in a new expanded orchestration conducted by Kent Nagano, who has led performances of this adaptation in Germany and Canada and recorded the work for Decca. Leonard Bernstein’s A Quiet Place, his last stagework, created with librettist Stephen Wadsworth and premiered in 1983, receives its French premiere on 9 March at the Palais Garnier in Paris. Garth Edwin Sunderland introduces the version of the opera to be conducted in Paris by Kent Nagano. and Marlynn Steele Sidehamer Endowment provides support.A Quiet Place, Leonard Bernstein’s final stagework, receives its first French staging in March, presented by the Opéra National de Paris and directed by Krzysztof Warlikowski. Coploff, Nancy Gamble, and Lam and Lina Hood sponsor the presentation. Artistic Viewpoints regularly fills to capacity, so seating is available on a first-arrival basis.
LEONARD BERNSTEINS A QUIET PARIS OPERA FREE
The orchestra also performs film scores, jazz and songs from musical theater.Īrtistic Viewpoints, an informal moderated discussion featuring a visiting artist or artists, is offered one hour before the performance and is free for ticket holders. Known for its versatility, the ensemble presents a broad program ranging from classical to contemporary music. The orchestra, based in Prague, is marking its 26 birthday this year. “Leonard is a true treasure,” wrote a critic for New York Classical Review, “Immensely talented and charismatic … already one of the world’s leading artists though still relatively early in her career.”
She’s also in demand as a recitalist and is on the board of trustees at Carnegie Hall.
LEONARD BERNSTEINS A QUIET PARIS OPERA PLUS
She has worked with famous conductors in appearances with the Cleveland, Chicago Symphony and Boston Symphony orchestras plus the New York, Los Angeles and Vienna philharmonics. She has performed with many of the finest opera companies, including the Metropolitan Opera, Vienna State Opera, Paris Opera, Lyric Opera of Chicago and San Francisco Opera. Leonard thrills listeners in both opera houses and on concert stages.
Mauceri conducted the world premiere of Bernstein’s “A Quiet Place.” From 2006-2013, he was the chancellor of the University of North Carolina School of the Arts. He was the founding director of the Hollywood Bowl Orchestra, where he conducted more than 300 concerts attended by a total of four million people. Mauceri was, in turn, the music director of Pittsburgh Opera, Teatro Regio (Turin, Italy), Scottish Opera (Glasgow) and Washington D.C.
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